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He spoke about dead birds, I remembered birds interested him back then as well, in Bezalel. See, those are birds that people don’t usually put inside their freezer, long winged, magnificent, fragile. He told me about the freezer, the cooler where a dead bird is each time carried into the club he photographs in, waiting for the right, crucial moment.

I was immediately sorry I hadn’t thought of it myself, that I hadn’t stolen him from life, into my story.

Someone could not woke someone up from its fainting, from its death; that’s almost indecent and yet I believe him; I believe this quest for beauty in all places that supposed to be covered with dirt.

“This is me and my brother”, he said to me simply when describing the relationship between the young man and the bird; two non-identical twins who rolled out to the farthest edges: man and bird, live and dead; and suddenly the layers I’ve counted faded into dust.

Ugly Lovely is a description to define something that might repel at first but then become beautiful.

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    Natasha resists her at first, but as the night continues their relationship deepens as they slowly fall in love. This WWII romance won nine Academy Awards in 1996 and it’s no wonder with its storyline between Ralph Fiennes who plays a wounded soldier and the nurse who is taking care of him, played by the beautiful Juliette Binoche.

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    She takes them in, founding an orphanage and school that came to be called the Dar Al-Tifel Institute. Nadia (Al Massri) is a woman who has suffered brutal sexual abuse, eventually running away from home.